Janet Haigh : Her Work

Textiles: ideas, drawing, design, stitching….


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Kantha Club

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Susi Bancroft stitching her suspended large Kantha piece in Heart Space Studios

Autumn is here and the new term started for Kantha Club – run by Susi Bancroft for Heart Space Studios. We all wanted to swap summer experiences and stories and show what we had been up to – or not!

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Kay at the back of the Kantha sheet – the light shining though the colour was lovely, showing up the rows of stitches.

Susi had embarked on a very large piece ( I meanwhile had put my first attempt at a large piece aside). She had dyed the fabric in Turmeric and Tea to get this very subtle yellow. She finds it easier to hold the needle at the eye end to keep the cloth steady – so each stitch requires 2 hands on the needle, standing to work on such a large-scale fabric she says ” I am surrounded by beautiful colour with the light behind you, like being cocooned in colour ”

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closed hand with thumb kept into palm = the narrow band

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wide open hand = the wide band of stitches

Explaining how she made decisions for spacing the stitching bands by using simple hand measurements she said “I used the fact that I couldn’t see the whole cloth working so close up so the hand spans were the measurement I adopted”

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hand spans for the gaps between stitching lines

to enable her to keep stitching rhythmically while standing up, she threaded several needles at a time in different colours, using each as she felt that she wanted them – relying on her instinct for the colour striations, she enjoyed  the feeling of  the fabric being “just being out of my reach’ whilst she worked.

Kay Swancutt showed us some dying samples that she had stitched , she had exhibited these recently at Nature in Art and used many natural materials to make the different patterns and colours

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samples of natural dyed fabrics by Kay Swancutt

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more of Kay’s experimental samples

Steph Wooster brought several examples of her earlier drawn textile work that she has now worked with a kantha stitched ground…these were  also exhibited at Nature in Art and I feel that they could lead to even more intricate background stitched patterns – I am thinking animal skin patterns, leaves, grass..

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Steph Wooster’s Biro drawing of animals from the Bristol Museum, augmented with ripples of stitching

I particularly like the combination of the stark elegant drawings and the tone on tone rippled grounds.

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Biro drawing of animals and kantha stitched ground – Steph Wooster

she also brought a new piece fabric that she wanted some feedback from us – it was a parachute silk sheet, very old and damaged,

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choosing coloured threads to mend the fragile silk sheet

she wanted to mend it – we suggested she start with the weakest area.

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carefully searching for the weakest points ot start to mend using Kantha as a technique

Meanwhile Naomi Clarke has been having fun just using Kantha technique to stitch the patterned cloth and also appliqueing it to the tie- dyed ground – as a technique this could really be developed to make lively fabrics

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Naomi Clarke’s Kantha applique

I had started another project in the break – a quilt based on a painting by Alfred Stockham, an old friend and ex colleague, it is a small painting that had always called to me to be made as a patchwork…

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oil painting by Alfred Stockham

starting in the top right hand corner I ripped some pieces of shot cottons into squares and strips and stitched them down onto a red cotton ground…the coours of the threads made for the nuance of his dragged brush marks

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starting the squares of painting patchwork

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completed square of kantha stitched patchwork

 

 

 

 

 

 

during the last few hectic weeks of launching my book it has been a relief to get back to simply stitching these square transitions from paint to cloth

I am interested to see how each square is in itself a small complete composition

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I am fascinated by this work but it may take some time to get finished

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the start of the first row of patches for the painting quilt.

 


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Kantha Club

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Indian modern Kantha fabric – from Liz Hewitt’s collection – wonderful patterns to start us all stitching

New to Heart Space Studios – Kantha Club; started as so many people who have been to our day classes, tutored by  Susi Bancroft,  have become fascinated by this simple method of hand quilting. We have 3 trial sessions being held once a month – each meeting is 3 hours long – enough to get re-acquainted with the technique and start something to take home to develop further.

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3 different Kantha pieces from  Susi s collection demonstrating the different types of fabrics, colours and patterns afforded by this  technique

susi kantha introSusi, had brought lots of different pieces from her own work, the most interesting for me are the tiny patches of patterned fabrics all held together with simple rows of running stitches  and by allowing frayed and ripped fabrics to be caught in place, dense and rich cloths have been developed.

One of the things that I find interesting in Kantha is that each side of the cloth looks different depending on the choice of fabrics – so a simple ground will show up the stitches but a patterned ground is given another layer of pattern – the fabric below shows this very clearly.

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Kantha strip showing back and front of the stitching – intriguing

Several people had brought in their own samples, some from earlier classes that they now wanted to develop….others already used the technique for their own practice and just wanted to meet up and develop and discuss the work with other people – we are hoping that the new textile clubs we are planning at Heart Space, will enable like-minded people to develop new work together….the 2 pieces below are by makers who has studied Kantha previously,  Kay Swancutt, and Liz Hewitt , 

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beautifully simple stitching by Kay Swancutt

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detail of Liz Hewitt’s densely stitched Kantha hanging

 

 

 

 

 

 

 

 

 

 

but some people although used to stitching, came along for a new experience – they brought other types of things – the different types of work were really interesting, I am looking forward to seeing how everyone develops in the coming months.

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small perfectly stitched quilted heart – but enough to get a maker to the next stage of developing new ideas and techniques

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beautiful etheral embroidered and lacy fabrics combined with Kantha stitches by Nicky

 

 

 

 

 

 

 

 

 

After the introductions we all started to work on our own projects

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the club gets down to real stitching, and Nicky is stitching the piece  above right

I have joined the club as well as I want to develop new work using this technique – I have played with this way of setting up rhythms across fine fabrics  and I brought in several pieces of old work to demonstrate how I wanted the work to develop – I want to make a stitched sea/sky/land scape – very large using images from my  photographs of the views of sunrise and sunsets from my windows at home.

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series of my sky photographs from over the Bristol Channel

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my first attempt at putting the sky fabrics together

 

 

 

 

 

 

 

I am layering transparent fabrics so that many subtle colours are made to represent the sky, then held held in place by rows of running stitches. As my home view includes a stretch of the Severn Estuary and the Welsh hills, the textures and rhythms of the water, mud flats and tidal salt marsh in front of the house, could successfully be rendered using this technique, we will see…

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the layers of transparent fabrics are eventually held in place by massive tacking stitches

when everyone got to working Susi provided us with background fabrics and a wonderful array of her own threads, as well as books and a variety of other materials to help us help ourselves.

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Susi’s own stash of threads; and just visible my “kantha bible” The Techniques of Indian Embroidery by Anne Morrell

Several people started developing different motifs as samplers, using the books that Susi provided..

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continuing older work using new inspiration

 

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 working a sampler directly from the books provided

 

 

 

 

 

 

 

 

 

So we ended the first week with everyone having a piece of work to develop (or not!) for the next meeting…there were a few surprises in store.Some people had started new pieces and developed different techniques….

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embellishing a ready printed fabric is a really good way to get started…

some really adventurous samplers have been started..

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Vibrant Kantha motif sampler on hand dyed base – Naomi Clarke

then there was this perfectly ordered piece of quilting on top of a traditional Indian fabric heart

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Heart Kantha by Jo Hurst

Others continued to develop their own work – I do like the ancient next to the modern in the image below – traditional stork embroidery scissors, hand made pin cushion and mobile phone!

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continuing to develop the first colourful sampler – Jo Hurst

The motifs seem to be very popular but, like me Anne is trying some new colour background fabrics strips – really looking forward to seeing this develop

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strong coloured ground strips for experimental work by Anne Harrington

I hope she has more luck than I did! Eventually I want to make a large piece of work – at least 1 metre wide – so I had started off using wide strips – but found that the rhythms of the stitches started to develop a mind of their own, which I couldn’t get to grips with – so I chopped my original work into smaller segments and really let the running stitches go where they would – it is very exciting to work with…..but where do I go from here?

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my tiny but wayward stitched sampler of sky and sea kantha

Well  – where else but back to the third Kantha club meeting to see how everyone else has developed and if they all feel that they want to carry this experimental approach forward into a functioning club, with membership, regular meetings, guest speakers, exhibitions and all the other benefits joining a club entails….watch this space.

 

 

 

 

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