Janet Haigh : Her Work

Textiles: ideas, drawing, design, stitching….


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Best in Show – Ally Pally

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Alexander Palace – the Knitting & Stitching Show entrance

And so to Ally Pally for the annual Knitting & Stitching show, attentive readers of this blog will realise that this is where Heart Space Studios headed to advertise our new book at the invitation of The Cotton Patch, the home of all things patchwork and quilting in Birmingham. For a week I worked at this amazing show – and looking at textiles for so long, I now feel well able to select my personal ‘ Best in Show’ awards to several outstanding exhibitions and commercial stands.

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Kate’s Place blackboard

In no particular order – ” Kate’s Plaice the Stitchmongers’ ” was by far the most amusing, the concept or rather – to use a literary term – “the conceit” was completely thought through, it was highly technically proficient  and the most entertaining piece of textile work that I have ever seen at this event.

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the fish stall

The installation was designed specially for the Knitting and Stitching show by Kate Jenkins, Everything on the stand was completely in keeping with the joke…from the dressed shop assistants that like all good fishmongers knew their subject inside out and wanted to share their delight and knowledge with you, to the stunning array of ‘ seafood’ on offer…

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detail of the central fish counter

below are the details of the counter of fish, the use of material and the shapes and colour are perfectly chosen – you really did want to order and eat what was on offer…..

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For those, like me, who prefer their fish cooked and served, rather than making the dish themselves, the fish platters definitely looked good enough to eat.

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fish and seafood supper

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tabasco and oysters

 

 

 

 

 

 

 

 

 

 

 

 

 

 

the hand written sign below, perfectly in keeping with the whole fish shop ethic, was written to deter a fellow exhibitor, an embroiderer, who pawed the little sequined morsels as they were being arranged, and was extremely rude when he was asked to stop! This is such an unusual occurance  – stall holders being rude to anyone, let alone one another that I feel it deserves reporting.

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thee sparkly lobster and the necessary notice!

Among the exhibition, chosen from recent graduates by the Embroiderer’s Guild, was this enigmatic large photographic  hand embroidered panel by Susana Borobia, part of an small body of work called ” Awaken Threads…this spoke ro me on lots of levels – it reminds me of my own work developed through a fascination with White Work techniques and the difficult transition from cloth or fibre to other materials…here is it managed elegantly and artlessly.

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stitched photographic print by Susana Borobia

 

 

 

 

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Detail of the stitched white work on the photograph

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ihave to admit that I chose to ignore  the notice not to take photographs; it was early in the morning, I couldn’t find the student to ask and thought that she may prefer it to appear on this blog than me to ignore her work.  I have had this problem of no photography before …but it is a odd embargo now in the age of instant imagery and social media and who can possibly copy this ??????…that’s my excuse anyway.

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Robert G Ely, the perfect example of ‘ if you’ve got it flaunt it ‘  wearing his woven silk braces and bow tie

It is difficult to show a range of different work in such a small space as a booth in the fair – but here Robert Ely has managed to do exactly that – he shows his woven ribbon design work, such as braces and book marks  with his more art based weavings of sea and landscapes – the ribbon dimensions are shared but the colour depth and small scale pointilism is also evident in both sets of work – seen below are the 2 types of work on display

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woven ribbon seascape – by Robert G Elybelow are the 2 types of woven work that Robert was exhibiting

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braces, book marks and other finely woven sauciness.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

the seascapes exhibited made me think that he must live near me on the Severn Estuary, in fact these images are taken from much further down the estuary at Devon, Start Point.

god's river RE

this image I mistook for my local headland and lighthouse, Battery Point in Portishead, Somerset in fact it is form further down the estuary in Devon

what everyone goes to these fairs of is to stock up their stash! So 2 specialists who always show wonderful collection of the real things…first my old favourite importer of real Japanese fabrics, Euro Japan Links, a Japanese husband and English wife team who have been in business for years- long before their was a fashion in Japanese fabrics; their pieces of fabric neatly folded into colour co-ordinated  ranges never fail to fascinate me.

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Japanese patchwork cottons

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Japanese kimono prints

My other favourite company exhibiting and selling mainly tribal Chinese fabrics and clothing is Slow Loris. I  have written about this marvelous collection for sale before but do so again as Martin Conlon the owner is a fund of knowledge and is really enthusiastic to tell you the stories behind the garments. There always new things to see – well old new things.

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The Slow Loris stand of ethnic Chinese /Tibetan textiles

The other exhibition I liked for its sense of space and calm and truly sumptuous colour was ‘The Other’ coloured work by Vivienne Prideaux paired with the white and neutral work of Amanda J Clayton. They made a handsome area of beautiful controlled textile hangings and panels. I thought that these these glowing panels by Vivienne Prideaux were just so desirable, the depth of texture and range of nuanced colour that this artist builds up with her various tie dyed and gilded grounds is so inspiring – makes me yearn to return to my own studio again.

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small dyed panel by Vivien Prodeaux

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shibori dyed and gilded panel – Vivienne Prideaux

 

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the neutral and range of white fabrics shown by Amanda J Clayton were perfect partners

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Shifting sheets of fabrics installation in “The Other” exhibition.

 

So enough of what I like – what about my exhibit…i was given a space on The Cotton Patch stand, to show and sell my new book, Little Ribbon Patchwork and Applique – comprising designs based on Kaffe Fassett’s ribbon collection for Renaissance Ribbons

several people helped me to set up and run the stand during the week …

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Setting up the stand with Cotton Patch ‘s Nik Sewell sorting out the Kaffe Fassett books and Jane- Matie Mahy organising the Heart Space section

several people helped to run the stand with me for the 5 days of the show….

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Ilaria Padovani form Heart Space Studios demonstrating how to make a ribbon yo yo on the stand

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Susan Berry who had the idea of the book in the first place

The Ribbon beads have proved to be most popular things we show how to make in the book, see the next post down!

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Stuart from the Sewing Bee programme and Jane- Marie Mahy  with the ribbon beads – sort of says it all really!

 


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Little Ribbon Patchwork and Applique: the Story behind the Book

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opening the package of the advance copied of Heart Space Studios’ first book

Here it is, my very first look at the proper printed books – Heart Space Studios’  Little Ribbon Patchwork and Applique,  inspired by and featuring Kaffe Fassett’s wonderful ribbons. And this is the English edition, and it is published by Heart Space Studios…But oh the hopes and fears were in equal measure when I saw that neat white package of the first 10 advanced copies of the book…

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all the angst and problems of getting the UK cover perfectly coloured have paid off

Originally the book was commissioned by the American publishers, Taunton Press ( and uses American terms and measurement – bliss – I was educated using inches and yards) and then I was offered the opportunity of producing a small UK edition and this is it. And as a consequence I have spent a large proportion of the last 9 months working on this and other publications involving Kaffe Fassett’s ribbons and fabrics……

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the 5 original reels of ribbon I designed with

I was first asked, by Susan Berry, a book producer concentrating on textile crafts (whom I have worked with for many years) if I had any design ideas for using the beautiful Jacquard ribbons designed by of Kaffe Fassett and produced by Renaissance Ribbons. Susan advised me to see them at his exhibition at the American Museum in Britain, that took place in 2014. Then I was sent a few reels of ribbons to ‘play’ with and this is what I came up with in the first few days….

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single and double ribbon yo-yos

I have a vintage – quilt hanging on my studio door and I immediately thought that this system may translate to the ribbons; so I just cut some random lengths and using running stitch gathered them up to form these pretty circles…some worked and some didn’t  – see above; but it is a designers task to make them all work beautifully – so lots of samples later I made this, below, which I intended to grow into a huge throw or curtain.

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yo-yo hanging – sadly this failed to make it into the book – it proved too complicated to show how to stitch together simply….

Then of course I thought of crazy patchwork, and this eventually became the heart-shaped cushion on the back of the UK edition cover

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crazy patchwork with ribbons hand embroidered into position between the patches of shot cottons

of ribbon with the loose yo yo’s, easy -peasy as these ribbons have been designed to work together – a rich mix but what else would you expect from Kaffe Fassett?

original design - KF ribbons PW

ribbon and yo-yo strips – first ideas

I just took lots of photographs as I researched, and sent them off with rough ideas for a book of small patchworks made of ribbon and plain fabrics – but the journey from playing with ideas to a finished book has been long and let’s say  problematical –  ideas are always easy for me to come up with, making them work for inclusion into a “how to do it” book is not easy at all.

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new ribbon combinations

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getting the new ribbons into colour combinations – here are the brights

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The first thing I realised was that I needed to put some other ribbons and fabrics with these intensely patterned Jaquard ribbons. So I included the Grosgrains, or Petershams,  fine ribbed ribbons that come in many sizes and colours, Renaissance Ribbons have many different versions – and they duly sent me some and more of the new ribbons from their Kaffe Fassett range; and then I needed a ribbon that could be used to tone with the 2 brights – I chose my old favourites – tartans. Tartan ribbons are universally available now on-line, and they conform to the clan colours so I felt sure that most buyers of the book could get hold of them easily. But then which fabrics to use for the patchworks particularly the crazies?

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my stash of shot cottons selected to tone with the ribbons toning ribbons

I am a fabric hoarder, like most textile designers, and I found some small pieces of ‘shot’ cottons – the warp and the weft of the fabrics are different shades or even different colours from one another so the woven fabrics are subtle colours and so more easily used with other materials; and by chance who were these shot cottons designed by? Kaffe Fassett. So that was an easy decision as well and I sent off to The Cotton Patch, (who have the best user – friendly, on-line ordering fabrics service) for more samples of these lovely fabrics. I started designing approximately 20 different samples of ribbon patchworks and appliques.

But I fist made myself some new fabrics – out of the ribbons themselves….

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designing ribbon combinations for ribbon fabric

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trying out different ribbon fabrics for crazy patchworks

 

 

 

 

 

 

 

 

what I needed to realise is that when you are making your own ideas for a book, it is important to be able to demonstrate by using photographs, drawings, diagrams and words how someone else, who has not got your knowledge and may even be a complete beginner, can easily follow the instructions …a lot of lovely ideas and more complicated designs got thrown out in this process.

But here are some examples of 20 samples that made it, from first ideas, through to illustrations of the steps involved and finally the 20 projects that I made with the samples. There are 4 types of patchwork and applique techniques in the boon, strips – see below, crazy, squares and yo-yo’s.

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putting several ribbons together onto my work top, trying to make up a new ribbon fabric

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designing another variation of ribbon stripes for a heart shape applique

 

 

 

 

 

 

 

 

 

 

 

 

from the work table to the finished book in one bound!

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illustration to make the ribbon fabrics

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page from the book to show the heart shaped applique

 

 

 

 

 

 

 

 

 

 

 

 

 

 

and eventually this design turns up on the contents page as well….

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content page of finished book completed with the same Ribbon Fabric

the yo yo designs quick and fun to make and design with, within the book they come single, embroidered….

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hat band yo yo with button stitching ribbons

 

small yo yo patch

embroidered double yo yo square patchwork

 

 

 

 

 

 

 

 

 

 

halved and giant.

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half yo yo bands

 

large yo yo

and one very very big yo yo.

 

 

 

 

 

 

 

 

 

 

 

in fact I could have written another book about making and decorating with yo-yos

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project section of the book – with lots of different things to make

I could write for days about the book and all that it contains – but then why would anyone buy it? As I write I am waiting for the large consignment of books to arrive from the printers….it is a small edition but I have plans to advertise it, it is being launched on September 15th at the American Museum in Britain, well it is full of the American Kaffe Fassett’s ribbon designs… and for this I am giving a special bead – making workshop. ( more of which in a  later post )Then the book is being sold with special packs of ribbons and fabrics on the Cotton Patch stand at the Knitting and Stitching Show in October; but meanwhile we have a lovely display in the shop window of Heart Space Studios, devised by our style guru, Jane- Marie Mahy, please see below and I have devised a whole set of classes to complement the book – go to http://www.heartspacestudios.co.uk/workshops/ribbon-patchwork-hearts-half-day-class/. for more information. And eventually we will be selling the new book on our website – watch this space

 

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Heart Space Studio window display by Jane-Marie Mahy

 

 

 

 

 

 

 

 

 

 

 


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Crazy Fan Class

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My Crazy Patchwork fan design on the cover of this season’s events catalogue at the American Museum.

I have been getting out and about recently and have been taking a workshop at the American Museum in Britain, which is situated just outside Bath. I have been asked to deliver 2 day long workshops by their education officer, Zoe Dennington (who found me via this blog). Zoe asked me to use Crazy Patchwork techniques for classes to run at the same time as the current vibrant Kaffe Fassett exhibition being held at the museum for several months.The second class is in October to make a crazy patched and beaded heart.

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the range of fabrics that I took for use in the workshop

Luckily I was given a batch of cotton samples of fabrics  designed by Kaffe Fassett to use in my workshop by a friend, Susan Berry ( who produces his very popular patchwork and knitting books) and they certainly livened up my Heart Space Studios fabric stash….I had designed a special project for this session, a simple design of a fan and one of the most popular motifs used in traditional of Crazy Patchworks.

My Crazy Fan design

the original crazy fan design used for the programme cover

I reasoned that if I provided patterns for the patches then things might go quickly and everyone would finish – well that was the idea! We started off by choosing the fabrics for each fan – there are 7 sections in the design that I had created for the class, which means less embroidery than my sample.

range of Fan fabrics

this range was chosen from the fabrics brought by me to the workshop

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subtle and softly coloured fabrics brought by a student to the class

I had also asked people to bring whatever they liked of their own materials as well. The fabrics chosen were quickly organised into many different striped bands – I explained about balance of pattern to plain fabrics and crucially for a small colour scheme, to separate a few colours from the patterned fabrics and use them as plains or solids to show up the patterns. And not to worry too much about getting the colours perfect at this point as later the coloured stitching over the seams would help with the colour co-ordination of the whole piece.

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vibrant fabrics for chosen for the fan design

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Red white and blue – always a good clean colour combination

organising the fan sections is much easier and quicker than for usual odd shapes of crazy patches. The sections were laid over one another and then pinned and using running stitches held section by section till the fan was complete. The complete arrangement was then pressed onto the special heat activated fabric backing

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Brilliant colour for the start of stitching the fan into its finished position

.GEDSC DIGITAL CAMERA                 Once the fan had been pressed and trimmed the next task was to  find the coloured ground to applique it onto…I find that this is quite a good way to get people to appreciate the difference that different coloured grounds can make to the overall piece.

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a rare shot of me teaching – explaining how to deal with coloured ground fabrics using a soft and subtle piece of patchwork.

Sometimes soft colours can be made bolder if placed on very dark grounds and brilliant colours more muted if placed on a toning ground. It is also a chance to reassess the colours prior to embroidering the seams which also fix the fan to the background

fan shape pressed to glue backing

the fan shape against a black ground

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same fan against a brilliant blue ground – note a new patch on the left hand side to make a more balanced fan

Now to start embroidering – I had chosen to demonstrate 1 basic row of herringbone stitch and then show how to add extra stitches or I should say decorations…it is my favourite decorative embroidery stitch as it can be developed  so that it looks almost like a braid. But to begin just a couple of well spaced rows…and then the extra colours can be added.

red whit blue fan

this vibrant fan design is made even more brilliant by contrasting colours

I like to use contrasting coloured stitches on the seams – they are very obvious but then I do not think it worth doing any decorative hand embroidery if it isn’t to be noticed!

contrasting fabric fan

the brighter the contrasts the richer the decoration here the colours sing out

although up close and personal the colours are very vibrant the more colours added to each row of stitching the softer the colours will appear more subtle

Cleos fan

the addition of yellow running stitch to the bright pink herringbone stitch makes it less vibrant

when soft colours are used to not much affect then the herringbone variations allow for extra emphasis – this is why I really like this particular stitch – it gives a lot of opportunity for invention

herirngbone and added stitches

the addition of French knots and detached chain stitches enliven this row of muted herringbone

At the end of the session we put all the unfinished patchworks together on a table to assess them for further additions…. you can now see the affect that the Kaffe Fassett fabrics had on the works – but you would not think by looking at this picture of some of the group around the table that they actually liked what they are looking at !

Crazy critical assessment

Crazy critical assessment!

. Everyone faithfully promised me that they would finish the fans and send me photographed results – watch this space…….