Janet Haigh : Her Work

Textiles: ideas, drawing, design, stitching….

Beading Exhibition

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detail of lamp-worked glass beads based on fossilised dung –  Ilsa Fatt

The intricate hand made beads shown in the detail above are based on Coprolite –  icthyosaur dung, or more simply – fossilised poo...Ilas Fatt has developed these beads as part of a collaboration with Lyme Regis Museum where artists have been asked to work from specimens from the museum’s collection to be shown in an exhibition in 2013 – so a sneak preview at Heart Space Studios

Ilsa brings in her exhibits to the empty exhibition wall at Heart Space Studios

We have concentrated on bead work to advertise the next Master Class given by Ilsa – she describes it as being in ‘Freeform Sculptural Peyote Stitch’ I describe it as an absolutely amazing jewellry – making opportunity where using a variety of bead-work techniques a densely embellished bracelet will be formed – with integral fastening – my favourite aspect of Ilsa’s jewellry – she really has designed elegant and workable fastenings for her bead – work – for this alone, it would be worth taking the class.

A table full of gold and black beaded exhibits

Putting together this beading exhibition was fascinating, seeing  how different designers had managed to make such contrasting pieces by using simple beadwork techniques. Ilsa Fatt uses Peyote stitch  and Janis Taberner and Kristina Ferron use square stitch. When all the pieces different pieces were assembled they looked wonderful just draped and jumbled together over the tables – I was in favour or showing them draped on the wall, but when we saw the hangers for the Janis’ scarves we realised that formality would reign… but how to place all the disparate work together for a successful exhibition?

Blue and turquoise colour story

Sophie, Heart Space’s administrator and general genie, thought we should colour co-ordinate them – well I wasn’t going to deny that so we grouped everything together in ‘colour stories’. This made life much simpler and meant that at least the different types of work would hang together well

gold and bright colour story

First we placed everything on the floor in the colour groups.

the black and gold group on the floor

the long scarves made perfect borders for the boxes of necklaces. The rich colours of each designer’s work really enhanced each other.

hand made Lamp-worked glass beaded necklace based on Coprolite – Ilsa Fatt

black squared scarf – Janis Taberner

black and grey squared scarf – Janis Taberbner

detail of Carnival necklace – Ilsa Fatt

Ilsa is offering students her own lamp- worked beads as part of her Master Class ensuring everyone makes a unique piece of work.

blue group with deco necklace by Janis Taberner and ethnic inspired pieces by Kristina Ferron

The Blue grouping was easy-peasy – we used small stands and simple boxes to show the work, the brilliant blues and turquoises of Kristina’s ethnic necklaces, Kristina explained that she really likes “Big Jewellry” – a woman after my own heart.

blue square stitch scarf – Janis Taberner

strings of beads necklace – Kristina Ferron

The next group along the wall is in brilliant colours with gold; 2 scarves and a necklace that is based on the tumbling blocks patchwork design – Janis’ background in embroidery shows in her wide range of textile inspiration for these works.

Brilliant gold group – Janis Taberner

detail of the tumbling blocks design

detail of edging on patchwork design

and the last group is a series of different items in gold and autumnal colours made by all three makers, including  another collar this time in what appears to me to be a hounds-tooth check pattern.

autumn gold group by all three makers.

plus a beautiful frilled pendant by Janis where she has also braided the cord and tassell using a Japanese technique.

frilled pendant – Janis Teberner

beaded bag – Kristina Ferron

and also this sumptuous and subtle necklace by Ilsa.

autumn colours and gold beaded necklace – Ilsa Fatt

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